Showing posts with label women artists. Show all posts
Showing posts with label women artists. Show all posts

Saturday, January 5, 2013

Art Doll Exhibit

Last night was the closing reception for Art Dolls 3 at the Irma Freeman Center for Imagination.  The show was on display for a month and it was well received.  Art Dolls 3 was a collaborative doll making exhibition and education project of the Jane Street Art Doll Collective.  
There was an excellent turn out & sales were good.  

I enjoyed watching people interact with my art.

The Jane Street Art Doll Collective.
Chris Fondi, Joyce Compton & Emily Eckel
The show was a wonderful way to end a year that contained a number of challenges.  It was particularly meaningful that so many friends from out of town came to the opening night.

Friends from "Summer Camp".


Sunday, April 8, 2012

How to Publish Your Dolls in a Magazine


Several people have asked me how I got an article about my dolls published in Art Doll Quarterly (ADQ).  This post is a description of how I thought about the process and what worked for me.

ADQ is looking for article submissions that are almost ready to publish.   If they are choosing between two submissions of equally well made and designed dolls they will always select the article that is well-written and accompanied with excellent high-resolution photographs.  Think of it this way.  The ADQ staff wants to do as little work as possible and still produce a good magazine issue.  If you want to get published in ADQ you need to do much more than make great dolls.


Here is what I think you have to do:

1.     Develop a coherent body of work.  I’ve had my dolls published twice and each time I made eight to twelve dolls that are were related to each other.   You may be able to get a publication with a smaller body of work.  The important point is that the dolls need to tell a story both individually and as a group. 

2.     Get well-posed and styled high-resolution photos of your dolls.  At first I hired a photographer and paid professional prices for the photos.  That can’t happen often because of the expense!  Then I tried semiprofessional photographers and got less pricey and lower quality photographs.  You get what you pay for with photos.  So I’m working on improving my photography skills and equipment.  (The best thing that I have done to improve my photography was opening an Etsy shop.  There is no way I can hire someone to do all that photography.  I had to learn.  It has taken time and a high tolerance for frustration but I am slowly getting better with practice.)  If you are going to take your own photos, look at how the dolls ADQ publishes are posed and styled. 

3.     Edit the photos and toss the ones that don’t work.  Some dolls are not as photogenic as others.  At this point I usually cut two or three dolls from the group because I can’t get a good photo.  I have trouble taking photos of dolls that have shiny or fuzzy parts.  I always take photos with simple backgrounds.

4.     Write an article about your dolls.  Tell your story.  Is it about how you make the dolls?  Is it about the dolls’ characters?  Are you championing a cause?  Your article must be well written and have a good narrative flow.  Get some feedback on your draft article from friends.  Friends who read ADQ may be particularly helpful.  Triple check for typos, spelling errors and grammar mistakes!

5.     Package your article for submission.  In addition to sending a disc with all the files, I also send a hard copy of the article laid out with illustrating photos.  For the Stockinettes article I included a miniature version of the aluminum armature because that was such an important part of my story.  Send a self-addressed postcard with your package if you want acknowledgment that they received your submission.  Put your contact information on everything in your submission package.

6.     Be prepared to wait for months.  They plan their issues far in advance of publication.  One day you may get an email from the editor of ADQ initiating a discussion about publishing your article.  

Thursday, November 10, 2011

Portfolio

Tom Henkel took photos of the dolls I am currently making.  It took a while to get the images from him but they have finally arrived. The first two characters are from a series of busts made from lamp parts and traditional doll making techniques. 

The girl on the scooter is the same scale and is about three feet tall.

Monday, November 7, 2011

A Crankie Folk Singer


Yesterday was a good day.  A group of six artists spent the day at the Lillian Street studio working on a variety of projects.  Elaine Fuller continued to paint the walls vibrant colors.  Beth Rogers and Chris Fondi built some storage units and worked on Beth's trestle table.  Joyce Compton made origami shopping bags from newspaper and pitched in on various projects when help was needed.  I built a quick drawing table.  It has mismatched legs, two of which are made from a tree branch.  Elaine will be adding touches of color to this one but most of it will remain wood. 
Ellen Gozian (the crankie folk singer) made her first visit to Lillian.  She wanted me to build a crankie box.  A crankie is a gizmo that displays a story scroll to illustrate a folksong.  It took a bit of design work but here is the crankie that I built for her.

                                            
Ellen brought an illustrated the scroll made with a paper collage technique.  The scroll attaches to dowel rods and the top lifts off to allow for changing scrolls.  We also built the crankie so that it can be back lit or front lit.  With back lighting the applied paper cutouts will appear as silhouettes.   With front lighting the colored papers will show.  When the crankie was complete Ellen gave us a performance.
It was the first showtime at the Lillian Street studio!  A good time was had by all.  I'm looking forward to attending one of her shows to see the crankie in a public performance.

Sunday, October 30, 2011

Miina Äkkijyrkkä

It's so good to be home after traveling for work.

This post is part of an occasional series about artists that I find inspiring and would like to support.
I am charmed by the work of Miina Äkkijyrkkä.  She is a Finnish artist who sculpts large cows from cars.  She also raises cows on her farm.  I like the color, the scale and the exuberance of her work.   
To see more of her work check out her website.  http://www.akkijyrkka.com/en/

Sunday, August 7, 2011

Stocking My Etsy Shop

I've been on a button making binge and have been adding to my Etsy button shop inventory.  It has taken me a while to figure out how to make fabric and fiber buttons in a way that is unique to me.  The technique that is working well is to learn about traditional button making techniques and then render those techniques with materials from my set of resources. There are a number of well established button makers on Etsy who do a good job of making cover buttons and sliced branch wooden buttons.  I need to find my distinct style to compete with them.  Happily my efforts seems to be working.  I am slowly beginning to get sales.  But there is much more to do.  I read that when shops have about 100 items in inventory sales increase.  I'm about halfway to that point.  Nor have I done any marketing with social media.  I'm waiting to do that until I have the enlarged inventory and an updated shop banner. It's a good thing that I have several years to build the shop before I retire.

The following three photos are examples of buttons made on plastic rings.  The traditional buttons were made in white on sheep's horn rings. I'm using up stuff that I inherited from my sister.  I really enjoy playing with the color.  As I get more experience I have a larger set of techniques to use and my craftsmanship is improving.  Best of all, I'm having fun.
Felt centers with a satin cording stitched onto a ring.
A fancy fiber button stitched onto large & small rings, stitched together & finished with a bead center.
These have the same 2 ring technique as those above with the addition of a knotted center.
This type of button was traditionally finished with a thread shank or no shank at all.  I'm using a cloth covered commercially made shank back.  It just feels like better craftsmanship to have a sturdy back.

This weekend I made my first wooden buttons.  They are made from a trim sample that was probably manufactured in the 1980's.  The trims are well made from an assortment of hard woods.  To make these buttons I laid out cut lines and the hole spacing.  I drilled the holes first with a drill press and then cut the buttons apart with a power miter box.  I realized that making wood buttons is hard because it means working with power tools on small pieces of wood.  I'm looking forward to making more wood buttons.
Toggle buttons about 1/4"x 1/2"x 1 1/2".

Sunday, July 17, 2011

Lillian Street Woodshop Studio Progress

Last week 2 Men & a Truck moved a lot of machinery and good lumber into the shop.  Today Beth Rogers, Elaine Fuller, Chris Fondi & I worked on getting the place functional.
 The first thing we did was put all the machines on locking casters so we can reposition them as we need them.
 Beth got the old drill press running, hung a cabinet on the wall behind for bits and jigs and started hanging hand tools.
I spent most of the day building a router table and a tool battery recharging station.
Chris Fondi began construction of a trellis of recycled materials on the back porch.  Hopefully a vine will grow there and block the hot afternoon sun.   She added 5 stones for good luck.
Elaine spent the day painting in the lower level.  For the first time it was organized enough and clean enough that we were able to eat there.  After many, many months we are very close to being able to work on projects in the new studio.

Wednesday, July 13, 2011

Learning to Upholster

In my quest to acquire the skills to build a couch I need to learn something about how to upholster furniture.  Last week I made a couple foot stools to work on.  The old Bernina sewing machine is up to the task of sewing the heavy fabrics.  I'm getting more comfortable working with the upholstery fabrics.  I had assumed that I would be using a random patchwork style of upholstery but as I went to work on these foot stools I found myself doing patchwork that reflects the shape of the base of the stools. I liked what was happening and went with it.

Of course I will use a lot of buttons on my upholstery.  I love to make buttons and I can use these projects as a marketing tool for my Etsy button shop.  In these photos the buttons are not yet attached.  I'm still playing with where and how to position them.
I also need to figure out how to finish the cushions.  Should they be permanently attached to the base with upholstery tacks?  Should they be finished as pillows and attached to the base with Velcro?  As a learning experience I may do one cushion with each technique and then see what I think about the results.
My cat is not waiting for me to finish.

Monday, July 4, 2011

A Day at Lillian St. Studio

The studio is almost ready for the machinery to be moved in.  While Elaine Fuller and I were off having fun at summer camp Beth Rogers was pushing progress at the studio.  She built a vertical lumber rack that immediately got filled in a with lumber to recycle into shop improvements and projects.  It won't take much to get it sorted out so that fresh lumber can be stored there also.
She built a wheeled cart for the chop saw.  A nice feature of this cart is the lumber supports on either side of the saw.  This makes it easier for one person to cut long pieces of wood.
One of the things I did today was start a couple foot stools made of recycled lumber.  I took them home to make some patchwork upholstery tops.  One will end up in my home and the other will be in the upstairs lounge at the studio. 
Beth realized that we needed a mirror the other day when she got some saw dust in her eye.  She hung a beveled mirror in the lounge.
Beth Rogers lounging in the lounge.
We installed an air conditioner and it made an enormous difference in the temperature.  It doesn't look like much but it's got it where it counts.
Meanwhile, down in the kitchen area Elaine Fuller was painting.  The bench and table are almost ready for use.  I will celebrate the first time we eat on the table.  We couldn't today because the paint on the bench was still wet. 
The cabinet that was hidden behind a wall has been repaired and painted.  It looks fabulous!  The microwave is in place.  Soon we will set up a mini fridge in the lower left.
The wall to the left has turned into Elaine's patchwork quilt in drywall scraps and paint.  I'm curious to see how she will detail it.
I am so happy to have this studio!  I want to spend a lot of time working in it.  The couch will be my first serious project.

Thursday, April 21, 2011

My Painting from 1974

I just received photos of an old painting from a friend.  I was living in New England in a communal house when I painted this scene. At the time I was painting on found objects.  This one is on a wood tray.
There were two children living with us.
Our cat Slickeroo made it into the painting!
It's not upside down.  This is the top right corner of the painting.
A witness in the corner.

Sunday, April 10, 2011

The urge to make art

In my youth I thought of myself as an artist and a free spirit.  For twenty years I lived a basic lifestyle selling my creative services.  This is a picture of me in a kitchen that I designed and built in New Haven, Connecticut..  The photo is from the mid seventies.
With time I choose to assume responsibilities such as motherhood and marriage.  Other responsibilities were delivered to me by circumstances.  I never expected to be my sister's caregiver as she lost her fight with mental illness.  At the peak of my life as a responsible person I had a mortgage, a car payment, significant care giving responsibilities for family members both younger and older than me and a full time job.  How did I, the free spirit, end up with all that responsibility?  Through it all I kept making my art, although my medium changed with my resources of the moment.  That experience of continuing to make art when I was under serious time pressure is where I find my encouragement when I encounter short term obstacles to spending time in my studio today.  I've learned that the key to satisfying the urge to make art is to be flexible about the medium and to always keep making things.

Monday, March 28, 2011

Studio Construction

This sequence of photos shows the construction of the studio kitchenette.  The first photo is the most current.  This sequence of photos moves backwards through time to the "before" photo.  Think of it as a blog post time machine.  The work in these photos took place over several weeks. 

All the kitchenette needs now is a little more paint and the services of an electrician.  The microwave, refrigerator and electric kettle are ready to set up when we have power.  The water source is in the next room which is the only room that has heat in the winter.  Frozen water pipes are not part of the plan!  The hot water heater heats water on demand and does not keep a big tank of water hot at all times.  This is a great energy saving device.

Beth Rogers and I built this structure.  Elaine Fuller applied the water vapor barrier to the foundation and painted it all. 
The unpainted wood on the face of the structure is a recycled 2x4 from the interior walls that we removed.  This photo is by Beth Rogers, all the others are mine. 
The back and floor were painted before the counter and shelves were added so that the work could be done with good ergonomics.  We are all women over the age of fifty so we have to do everything carefully. 
Plywood walls are partially completed and the framework for the counter is in place.  Notice the mortises in the recycled front rail.  This is a beautiful piece of rough cut lumber with carefully cut mortises.  I'm glad we found a place to showcase this bit of the building's construction history.
The vapor barrier is applied and the framing is in place.
This is the before photo of the raw foundation under the stairs. 

Thursday, March 3, 2011

Lillian and Her Scooter


This doll has been a couple years in the making.  She is finally nearing completion.  At 3" tall she is one of the largest dolls I've made.  She can stand without support if conditions are just right.  I gave myself the challenge of making her a piece of context that would help her stand and begin to tell a story.  The scooter was fun to make and it is an effective doll stand.  It also gives Lillian the occupation of scooting.  Fun!

Friday, January 21, 2011

Portraits of Women Artists

I've been working on improving all aspects of my photography.  To learn more about photo manipulation I decided to do a series of portraits of some of my friends.  I am working on learning about the range of what I can do with photo manipulation and on gaining control of the techniques.
Joyce Compton needle felting.
Chris Fondi doing a basket weaving technique with yarn.

Elaine Fuller enjoying a brew at the neighborhood pub.

Lynne Feinburg photographing herself with one of her amazing cold cast bronze sculptures.  
Beth Rogers communing with her muse.
Me having fun with photo manipulation.