Showing posts with label Emily Eckel. Show all posts
Showing posts with label Emily Eckel. Show all posts

Sunday, January 5, 2014

Back To Buttons

A button Valentine for your sweetie!
Back in July when I entered a medical maze (it wasn't my idea!) I closed my Etsy shop.  Now that I have exited that labyrinth I've reopened my shop.  I've used the opportunity to start over by rebranding the shop with all new photos, listings and button cards.  It's been especially fun to make button cards.  Here are a few to check out. To visit my shop go to https://www.etsy.com/shop/ArtisanButtons?page=1#save
This is a set of buttons made from a hand embroidered tea towel.  The button card is designed just to show these buttons. 


I get a kick out of the old button cards that gave visual suggestions on how to use the buttons.  Here I have recycled one of the old images to display some hand dyed buttons. 

Saturday, January 5, 2013

Art Doll Exhibit

Last night was the closing reception for Art Dolls 3 at the Irma Freeman Center for Imagination.  The show was on display for a month and it was well received.  Art Dolls 3 was a collaborative doll making exhibition and education project of the Jane Street Art Doll Collective.  
There was an excellent turn out & sales were good.  

I enjoyed watching people interact with my art.

The Jane Street Art Doll Collective.
Chris Fondi, Joyce Compton & Emily Eckel
The show was a wonderful way to end a year that contained a number of challenges.  It was particularly meaningful that so many friends from out of town came to the opening night.

Friends from "Summer Camp".


Monday, October 15, 2012

Displaying Art Dolls

I'm preparing for a show of my dolls at the Irma Freeman Center for Imagination.   It opens the first Friday of December.  Showing with me are Joyce Compton and Chris Fondi.  About half of what I'm showing are wall dolls and they are easy to display.  Standing dolls need to be on platforms or pedestals.  That's a bit more challenging.  I've been busy making pedestals and platforms.

Fortunately I have access to a great place to build my displays.  The Lillian Street wood shop is a supportive well equipped  studio.  I always have fun when I'm there.  I also have studio space at home where I can do finish work on the displays.

Each doll will have a distinct pedestal or platform geared to it's display needs.  Most of the materials in the displays are repurposed wood.  Here you can see pedestals I made from recycled porch posts purchased at Construction Junction in Pittsburgh.  I build them in batches of similar design.  They become more differentiated when they are finished.
After the displays are built I take them home and paint or stain them to suit the personality of the doll that will be on it.  The white pedestals in these photos just have a prime coat of paint.  They will be painted in coming days.  In a few cases I've added fabric or trim to the pedestal.  
Several of the pedestals have turned out to be fancy such as the one below.  They are especially fun to build.  I've been restraining myself from getting elaborate with the displays because it's a show about doll making and not woodworking.  

Sunday, May 6, 2012

Lillian St Wood Shop Update

There has been great progress with the Lillian St wood shop.  The chimneys are gone!  This may sound like a small change but its not.  The demolition of the two chimneys created holes in the roof and the floor, scars on the walls and a large pile of bricks.  The demo crew took care of closing off the roof and Beth Rogers patched the floor and walls.  She then went on to moving a support post and building a lovely long work bench.  This change has created a lot of useful space.

This photo is the before shot.  Notice the chimney on the left and the random arrangement of machines.  

This photo show the same area of the shop from a somewhat different angle.  The counter has had a wonderful organizing effect.  Machines are finding their places.    The area to the left of the counter is a "parking lot" for larger machines on wheels.  

Chris Fondi, Beth Rogers and I spent Saturday, May 5 working on various wood working projects and more organizing.    Chris and Beth are chatting and think they are not in the photo.  The lumber rack on the far right is much improved but it still needs a bit more work.  


It was great to get back to the shop.  I've had some health challenges this spring that slowed me down.  I'm feeling much better now and can breath freely again!  Spending a day working at the shop made me feel like I am myself again.

Sunday, April 8, 2012

How to Publish Your Dolls in a Magazine


Several people have asked me how I got an article about my dolls published in Art Doll Quarterly (ADQ).  This post is a description of how I thought about the process and what worked for me.

ADQ is looking for article submissions that are almost ready to publish.   If they are choosing between two submissions of equally well made and designed dolls they will always select the article that is well-written and accompanied with excellent high-resolution photographs.  Think of it this way.  The ADQ staff wants to do as little work as possible and still produce a good magazine issue.  If you want to get published in ADQ you need to do much more than make great dolls.


Here is what I think you have to do:

1.     Develop a coherent body of work.  I’ve had my dolls published twice and each time I made eight to twelve dolls that are were related to each other.   You may be able to get a publication with a smaller body of work.  The important point is that the dolls need to tell a story both individually and as a group. 

2.     Get well-posed and styled high-resolution photos of your dolls.  At first I hired a photographer and paid professional prices for the photos.  That can’t happen often because of the expense!  Then I tried semiprofessional photographers and got less pricey and lower quality photographs.  You get what you pay for with photos.  So I’m working on improving my photography skills and equipment.  (The best thing that I have done to improve my photography was opening an Etsy shop.  There is no way I can hire someone to do all that photography.  I had to learn.  It has taken time and a high tolerance for frustration but I am slowly getting better with practice.)  If you are going to take your own photos, look at how the dolls ADQ publishes are posed and styled. 

3.     Edit the photos and toss the ones that don’t work.  Some dolls are not as photogenic as others.  At this point I usually cut two or three dolls from the group because I can’t get a good photo.  I have trouble taking photos of dolls that have shiny or fuzzy parts.  I always take photos with simple backgrounds.

4.     Write an article about your dolls.  Tell your story.  Is it about how you make the dolls?  Is it about the dolls’ characters?  Are you championing a cause?  Your article must be well written and have a good narrative flow.  Get some feedback on your draft article from friends.  Friends who read ADQ may be particularly helpful.  Triple check for typos, spelling errors and grammar mistakes!

5.     Package your article for submission.  In addition to sending a disc with all the files, I also send a hard copy of the article laid out with illustrating photos.  For the Stockinettes article I included a miniature version of the aluminum armature because that was such an important part of my story.  Send a self-addressed postcard with your package if you want acknowledgment that they received your submission.  Put your contact information on everything in your submission package.

6.     Be prepared to wait for months.  They plan their issues far in advance of publication.  One day you may get an email from the editor of ADQ initiating a discussion about publishing your article.  

Sunday, March 11, 2012

Stockinettes Published in Art Doll Quarterly


I'm very happy that my Stockinette series of dolls has been published in a feature article in the Spring 2012 issue of Art Doll Quarterly magazine.

Sunday, January 22, 2012

Looking Back at 2011

2011 was, like most years, a challenging but rewarding year.  There were meaningful art making experiences but there were also life events that tested my ability to cope.  As I look back I appreciate family and friends as well as the privilege in my life.  


Last year I wrote some art related goals.  Let's see how I did.
  • Submit 4 pieces of work for publication in magazines
    • Chris Fondi, Joyce Compton and I submitted paper dolls to an Art Doll Quarterly competition.  We know the package was received by the magazine but we never heard anything nor did we get our dolls back.
    • I submitted a plushie to Stuffed magazine.  They politely rejected my entry and returned the figure.
    • I made a Momiji doll for a British competition held by Selvedge magazine.  My entry was published on their website but not in the magazine.  The doll itself was lost in shipping back to the US.  
    • I found publication success when I submitted an article about the Stockinette dolls to Art Doll Quarterly.  It took all year to process but I just received the magazine and the article looks good.
  • Submit work to 2 Pittsburgh juried exhibits
    • I submitted photos to a Fiberarts guild exhibit instead of taking the work to the jury.  I did this because the jury was held when I couldn't attend.  The work was not accepted.
    • This goal wasn't met.  Local events are more demanding than internet and publications in terms of being at specific places at specific times.  
  • Have a gallery exhibit with Chris Fondi and Joyce Compton
    • This did not happen.  We are working on developing our portfolios and locating a venue.  It is still a goal.
  • Attend at least 2 events of local arts organizations
    • Fiberarts guild show
    • Fiberarts International
    • Ellsworth Ave gallery shows
    • First Friday down town 
    • Worked at the Etsy table at the Hand Made Arcade
  • Update this blog at least three times a month
    • This goal was met for most of the year.  Near the end of 2011 life got demanding and I took a break.  This is the first post after the hiatus.  My goggle rank is much improved and I have 59 followers.  
  • Publish a simple free pattern online
    • Goal met at the AFIC doll makers conference.  
  • Take professional quality photographs of 8 pieces of work
    • Doree Baumgard and Tom Henkel both photographed my work.  I'm now working on learning more about taking professional quality photos of my work.  
  • Attend Artistic Figures in Cloth conference
    • I attended and won a second place ribbon in the original doll design with my Leafkicker.  His feet and legs are made from axes.
  • Attend or host 10 doll club events
    • This goal was met.  We get together most Tuesday evenings and all day one Saturday a month.  We are no longer calling ourselves a "club" and now use the term "collective" because it is more accurate.
In addition:
I spent time working at the Lillian St wood shop and I've begun regaining my old woodworking skills.  I have to thank Beth Rogers for the opportunity.

I opened and maintained an Etsy shop to sell hand crafted buttons.  This is an effort to develop a supplemental income stream in preparation for retirement.  There has been a steady trickle of sales.


In summary I feel OK about what I got done last year.  I also worked full time and I had significant caregiving responsibilities for an elderly family member.  The best thing that I have done to get myself art time was to hire a cleaning lady.  I do not have to spend precious weekend time on that!

I participated in a fiberarts supply crafts fair.

Monday, December 5, 2011

Learning from Photographs

When I see photos of my work I somehow see the work differently.  Its a fresh perspective that sometimes is helpful.  This happened recently when I had a series of shadow boxes photographed.  I liked the contents but the boxes looked shabby.  So shabby that I cropped away the boxes from the photos. 


 Yesterday I built a new shadowbox to accommodate this work. There are a lot of decisions left about how to finish the piece.  But my gut tells me it is much improved. 
The most challenging thing about making this box was becoming reacquired with using a router.  There were  several routers that I could have worked with but I choose the one that was most familiar to me.  It's been over a decade since I used a router.  It was scarey.  I had to finish building the router table.  I had to remember how to use the jigs.  I had to change a bit that hadn't been changed in years.  But I did all that and it feels good.  Now I'm ready to try the other routers. 
In other parts of the shop Beth Rogers oiled the pieces of her lovingly made trestle table.
Elaine Fuller painted some details on the tale that I made a few weeks ago.  

Sunday, November 20, 2011

Craft Fair Success

The Indie Knit and Spin craft fair was a successful first time event.  There were steady crowds and sales were surprisingly good.  I sold more buttons than I expected.  Joyce Compton also had good sales of her felting kits.  Things went well enough that I will consider doing other craft fairs. 
Knitters and spinners tend to be passionate about their craft.
The displays I built worked well.  I was particularly happy with the spinner display racks that are made from old floor lamps, scrap lumber and PVC pipe.
Small children were attracted to the buttons on the table cloth.  This photo was taken just before the doors opened.
All of the displays were made from recycled materials.


Sunday, November 13, 2011

Handmade Arcade & Craft Booth Design

The Handmade Arcade was held at the David Lawrence Convention Center yesterday.  This craft fair used to be held at the Construction Junction but it has grown and become better organized.  The new venue was roomy enough to handle the steady crowds that came to see the 140 creative local vendors.  I was there to represent the Steel Town Etsy team.  It was fun to work the Etsy table, interact with the crowd  and get to know some of the artisans.  I especially enjoyed working with the other volunteers at the Etsy table. 

I did a walk about and took a few photos of venders' booths.  I was looking at the craft booth designs with a critical eye to get ideas for our table at the Indie Knit and Spin craft fair next week.  Joyce Compton and I have a week to finish the preparations for our first vending adventure. 
A cheerful vendor with a well organized space, great use of color.

L shaped display, good lighting and creative use of old windows.

The fencing on the left is a compact vertical display wall.

Check out the banner and spotlights shining on the merchandise.
The best booths create a sense of space and have a distinct atmosphere that is part of the artist's brand.  They also make use of vertical space to have displays at eye level. 

Thursday, November 10, 2011

Portfolio

Tom Henkel took photos of the dolls I am currently making.  It took a while to get the images from him but they have finally arrived. The first two characters are from a series of busts made from lamp parts and traditional doll making techniques. 

The girl on the scooter is the same scale and is about three feet tall.

Monday, November 7, 2011

A Crankie Folk Singer


Yesterday was a good day.  A group of six artists spent the day at the Lillian Street studio working on a variety of projects.  Elaine Fuller continued to paint the walls vibrant colors.  Beth Rogers and Chris Fondi built some storage units and worked on Beth's trestle table.  Joyce Compton made origami shopping bags from newspaper and pitched in on various projects when help was needed.  I built a quick drawing table.  It has mismatched legs, two of which are made from a tree branch.  Elaine will be adding touches of color to this one but most of it will remain wood. 
Ellen Gozian (the crankie folk singer) made her first visit to Lillian.  She wanted me to build a crankie box.  A crankie is a gizmo that displays a story scroll to illustrate a folksong.  It took a bit of design work but here is the crankie that I built for her.

                                            
Ellen brought an illustrated the scroll made with a paper collage technique.  The scroll attaches to dowel rods and the top lifts off to allow for changing scrolls.  We also built the crankie so that it can be back lit or front lit.  With back lighting the applied paper cutouts will appear as silhouettes.   With front lighting the colored papers will show.  When the crankie was complete Ellen gave us a performance.
It was the first showtime at the Lillian Street studio!  A good time was had by all.  I'm looking forward to attending one of her shows to see the crankie in a public performance.

Saturday, October 22, 2011

Ethernet Cable Joy

This morning I solved the internet connection problem for my computer.  I drilled two holes in my floor.  One near the router and one near the computer.  Then I strung an Ethernet cable across my basement ceiling.  It took a while to figure out where to plug it in on the computer.  Then the challenge was to learn how to change the computer settings to a local area network.  Now that I've done it I understand the logic of what I needed to do.  But when I was problem solving all of this it was a daunting task.  I'm looking forward to getting back to blogging. 

Today I'm purchasing a tabletop drill press and tomorrow I'm setting it up at the Lillian Street studio!  I'm really looking forward to that!

Sunday, September 18, 2011

Building a Craft Fair Display

Today was a day spent at the Lillian Street wood shop.  It was lots of fun as usual.  I used my time to build a table top craft fair display.  I'm honored to have been invited to participate in a well organized craft fair that is focused on providing supplies to indie fiber artists.  You will be hearing more about this fair as I prepare for it.  It will be held Saturday November 19th from 11:00 to 5:00 at the Wilkins School Community Center, 7604 Charleston Ave. in the Regent Square neighborhood of Pittsburgh.  Check it out!  

It will be my first craft fair and I want to have a terrific display for my button shop.  I built this display entirely from old stash and recycled materials.  It was fun to figure out how to make it without spending any money.  The exception is that I will purchase hooks to hang my button cards.
I started making some buttons from recycled hard wood moldings.  I'll drill the holes on the buttons next Sunday.
At the other end of the shop Beth Rogers is building a table top.  She is in the process of becoming reacquainted with fine woodworking techniques.  If you look carefully you can see that she is gluing up some bread board ends for the table top.
This is a photo of the renovated tool cabinet.  Can you see the influence of playing a lot of scrabble?

Tuesday, September 6, 2011

Happiness is a New Bandsaw

While I made dolls and did family stuff in August Beth Rogers has been working on the Lillian Street wood shop.  It's looking good and it's getting organized.  For me the most exciting thing is the arrival a a lovely new band saw. 
Beth is hard at work building a new bed for herself.  My tools are moved in and my workbench is waiting for me to get started on building my new couch. 
Beth built herself a drawing table. 
I'm looking forward to making the time to work in the wood shop!

Thursday, September 1, 2011

Branding and Packaging my Buttons

My current task is to work on how I package my buttons.
The theme that runs through my Etsy button shop is that I take old things and make them new.  I'm using old button making techniques in new ways.  I recycle old buttons by dying them. Etc.  I want to design some packaging for my buttons that reflects that theme.

Historically buttons have been sold on cards.  This is a card from the 1920s.  It looks to me like the card designer did the 1920s version of cut and paste.  I think the message is that these buttons are well made and fancy.
I'm not sure when the two cards below were produced.  Perhaps in the fifties?  The message conveyed is that using these buttons will enhance the user's gender role.  The roles portrayed are so extreme that they seem like caricatures to me.  It amuses me that on the man's card the designer has thoughtfully given us specific instructions on where to sew the buttons.     
Contemporary button card designs tend to be simple.  Often they just have the manufacturers logo.  I want to do more than that.  I want my cards to have a lot of personality.  Here is the current version of a card for my buttons.  I like the retro feel of the design and the pattern of how the buttons are arranged on the card.  Its an affordable to make button card.  The design is going to evolve.  I'm thinking of adding historical information about button making on the back and maybe some imagery.  I am also looking for a reasonably priced source of recycled card stock.